The stunning knit coat features a tapestry print not an itchy coat but beyond light.
fits oversized
Materials
80% wool 20%alpacca
soniavilla doesn’t follow trends, they interpret them, distort them, forget them.
What you see is the result of instinct, process, and material tension. Unexpected cuts, irregular finishes, and fabric treatments become style languages, not just details.
they call it Soul To Experiment: a freedom to twist form, disrupt silhouettes, and let garments speak from the edge.
Each piece is a reaction, not a reproduction. Each collection, a deviation.
Sonia doesn’t follow trends, she follows emotional cues. A fabric that stirs something visceral. A texture that recalls a memory buried deep. A silhouette that arrives as a gut feeling, not a strategy.
With a background in visual storytelling as an advertising illustrator, she sees garments as narratives, tactile stories shaped by instinct, not by season. Her process is driven by hands, not moodboards: dyeing, cutting, layering, sculpting. Each piece is a reaction to the now, unfiltered, unplanned, and impossible to replicate.
For Sonia, designing is not about creating clothes. It’s about translating what’s felt but not yet said, experience woven with emotion, expressed through color and the act of dyeing itself.
The stunning knit coat features a tapestry print not an itchy coat but beyond light.
fits oversized
Materials
80% wool 20%alpacca
soniavilla doesn’t follow trends, they interpret them, distort them, forget them.
What you see is the result of instinct, process, and material tension. Unexpected cuts, irregular finishes, and fabric treatments become style languages, not just details.
they call it Soul To Experiment: a freedom to twist form, disrupt silhouettes, and let garments speak from the edge.
Each piece is a reaction, not a reproduction. Each collection, a deviation.
Sonia doesn’t follow trends, she follows emotional cues. A fabric that stirs something visceral. A texture that recalls a memory buried deep. A silhouette that arrives as a gut feeling, not a strategy.
With a background in visual storytelling as an advertising illustrator, she sees garments as narratives, tactile stories shaped by instinct, not by season. Her process is driven by hands, not moodboards: dyeing, cutting, layering, sculpting. Each piece is a reaction to the now, unfiltered, unplanned, and impossible to replicate.
For Sonia, designing is not about creating clothes. It’s about translating what’s felt but not yet said, experience woven with emotion, expressed through color and the act of dyeing itself.
